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https://physiology.oberlincollegelibrary.org/files/original/cb45885814d11d450d3fd1afba20fde5.jpg 44e58334e9045ce123de46328ca4a8d3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource View of Venice: The Ducal Palace, Dogana, and Part of San Giorgio Description An account of the resource J. M. W. Turner's stunning View of Venice, one of the most important paintings in the AMAM collection, brilliantly captures the mood and atmosphere of a sun-drenched Venetian day. Rising to prominence first as a topographical watercolorist, then as a painter of historical, sublime landscapes, Turner was the most important British landscape painter during the first half of the nineteenth century. This painting epitomizes Turner's light, airy palette of cadmium yellows, whites, and the occasional touches of deep red. It was made for Turner's friend, the sculptor Sir Francis Chantrey, R.A., and was first exhibited in 1841 at the Royal Academy in London. Reviews of the 1841 exhibition praise Turner's Venetian pictures for "the clearness of air and water" and as being "a glorious example of colour, leaving, as usual, much to the fancy of the spectator; and absolutely extorting applause." Here the mouth of the Canale della Giudecca-with carefully placed gondolas- dynamically leads toward the horizon, with the Doges' Palace (Palazzo Ducale) and the Riva degli Schiavoni in the center, and the Piazzetta San Marco with the Campanile and the Libreria Sansoviniana to their left. The domed church of San Giorgio Maggiore dominates the right middle ground. Oberlin's painting, brilliantly executed in three layers over white ground, is in excellent condition with impasto and glazes still intact. Art dealer Joseph Duveen sold the Turner painting to Elisabeth Severance Prentiss in 1925. Creator An entity primarily responsible for making the resource Joseph Mallord William Turner English, 1775–1851 Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/14347">Allen Memorial Art Museum</a> Date A point or period of time associated with an event in the lifecycle of the resource 1841 Type The nature or genre of the resource Painting Format The file format, physical medium, or dimensions of the resource Oil on canvas Overall: 25 × 36 5/8 in. (63.5 × 93 cm) Frame: 34 7/8 × 47 × 5 in. (88.6 × 119.4 × 12.7 cm)