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https://physiology.oberlincollegelibrary.org/files/original/be02cb06598638b9f7189120a8c602b0.jpg 4a9157521a010ffd54d8d435201569e6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Stigmatization of St. Francis Description An account of the resource An exceptional colorist and the most sensitive of draftsmen, Barocci executed only a few prints. Not surprisingly, his approach to printmaking was quite painterly. Here he creates an atmospheric representation of Saint Francis receiving the stigmata while praying in the hills above Assisi. Through a judicious application of both etching and engraving—an innovative combination at the time—Barocci translates the saint’s ecstasy into a physical haze of natural forms in the background that fade away from Francis’s more strongly delineated figure. Through masterful handling of the medium, Barocci conveys the intensity and wonder of the saint’s experience. Creator An entity primarily responsible for making the resource Federico Barocci Italian, ca. 1535–1612 Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/1881">Allen Memorial Art Museum</a>, <span>Gift of Parks and Christie Campbell</span> Date A point or period of time associated with an event in the lifecycle of the resource ca. 1581 Contributor An entity responsible for making contributions to the resource Alexis Reed Format The file format, physical medium, or dimensions of the resource Etching and engraving Overall: 9 × 5 13/16 in. (22.9 × 14.8 cm) Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context 1983.32