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1 10 91 https://physiology.oberlincollegelibrary.org/files/original/fbdc23663fe7e11ee144c6ee60a03e38.jpg d1a5f4aa38b7cc14b8699fe383586ebe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yoke Description An account of the resource Hung Liu was born in Changchun, China, in 1948. Her father, a former Nationalist Army officer, was imprisoned by the Chinese Communist government in 1949, leaving Hung to be raised by her mother and several aunts in Beijing. As a teenager during the Cultural Revolution, Hung was sent by the government to live and work in a rural village for several years. After returning to Beijing, she attended the Beijing Teachers College and the Central Academy of Fine Arts, where she studied Socialist Realist painting. Hung emigrated to the United States in 1984 and earned an MFA from the University of California at San Diego in 1986. She is currently a professor of art at Mills College in Oakland, California. Hung is best known for creating paintings based on photographs. Some of the photographs she uses are historical images of life in late nineteenth- and early twentieth-century China; others are more recent images relating to Hung's own life since her move to the United States. Many of her paintings raise issues about the historical and contemporary status of women, children, and other traditionally underprivileged social groups. The paintings also frequently address much broader questions involving the history of colonialism, emigration, and the nature of transnational cultural identity. Hung paints in an evocative, expressionistic style, building up her images with thin layers of paint that emphasize her creative process and the differences in meaning between her works and the photographs on which they are based. Yoke was inspired by a historical photograph of a Tibetan criminal wearing a cangue, a type of heavy, wooden collar that was used as a punishment in traditional China. The dimensions and weight of the cangue were such that the wearer typically could not stand upright or reach around the collar to feed himself. Instead, he was forced to lie on the ground and depend on the kindness of passersby for food and drink. It was a cruel form of punishment that begs larger questions about the nature of justice and the power of governments to oppress their own people. The fact that the person in this image is a Tibetan who is being punished by the Chinese also concentrates our attention more specifically on the long and troubled history of relations between those two peoples. Creator An entity primarily responsible for making the resource Hung Liu American, born in China, 1948 Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/4695">Allen Memorial Art Museum</a>, Gift of the Estate of Esther S. Weissman Date A point or period of time associated with an event in the lifecycle of the resource 1997 Contributor An entity responsible for making contributions to the resource Alexis Reed Format The file format, physical medium, or dimensions of the resource Oil on canvas Overall: 80 × 80 in. (203.2 × 203.2 cm) Type The nature or genre of the resource Painting Rights Information about rights held in and over the resource Hung Liu Identifier An unambiguous reference to the resource within a given context 2006.23 https://physiology.oberlincollegelibrary.org/files/original/4a047305c51861a3aa63fa29bc43fcfb.jpg 8f16af4f23b429de4e0b525f7ce13641 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Oil on Canvas Physical Dimensions The actual physical size of the original image 31 1/2 x 42 1/8 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woman in Recline: The Siege of Leningrad, Leningrad, 1964 Creator An entity primarily responsible for making the resource Felix Lembersky Description An account of the resource Portrayal of life under the Siege of Leningrad by Russian born artist who completed his art degree during the siege. Source A related resource from which the described resource is derived <a href="http://www.lembersky.org/en/artwork/p013" target="_blank" rel="noopener">Lembersky.org</a> Date A point or period of time associated with an event in the lifecycle of the resource 1964 Contributor An entity responsible for making contributions to the resource Kira Nathan Format The file format, physical medium, or dimensions of the resource still image Rights Information about rights held in and over the resource Yelena Lembersky Identifier An unambiguous reference to the resource within a given context Catalog Number P013 https://physiology.oberlincollegelibrary.org/files/original/c808ad5799a667aa6a608baa93ad0066.jpg 0b6e221571c7905500caae8ecd32976b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Will You Starve That They Be Better Fed? Description An account of the resource Minnesota Starvation Study recruitment brochure that says "Will you starve that they be better fed", featuring an image of children with empty bowls. Creator An entity primarily responsible for making the resource Unknown Source A related resource from which the described resource is derived <a href="https://ccforum.biomedcentral.com/articles/10.1186/s13054-017-1906-8#citeas">Critical Care, 21(316)</a> Date A point or period of time associated with an event in the lifecycle of the resource May 27, 1944 Type The nature or genre of the resource Brochure Format The file format, physical medium, or dimensions of the resource Image Rights Information about rights held in and over the resource <a href="https://creativecommons.org/licenses/by/4.0/">Creative Commons</a> https://physiology.oberlincollegelibrary.org/files/original/c996cb2ea037a6a4a68335232c9563db.pdf 53d68e125f39231ef36a84bfa7742cd5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Who Deserves Autonomy, and Whose Autonomy Deserves Respect? Creator An entity primarily responsible for making the resource Tom L. Beauchamp Source A related resource from which the described resource is derived Personal autonomy: new essays on personal autonomy and its role in contemporary moral philosophy Publisher An entity responsible for making the resource available <a href="https://www.cambridge.org/core/books/personal-autonomy/who-deserves-autonomy-and-whose-autonomy-deserves-respect/706C3FA5205EE78D3E942B8C4CFB84B9">Cambridge University Press</a> Date A point or period of time associated with an event in the lifecycle of the resource 2009 Type The nature or genre of the resource Essay Format The file format, physical medium, or dimensions of the resource Online publication Identifier An unambiguous reference to the resource within a given context https://doi.org/10.1017/CBO9780511614194.015 https://physiology.oberlincollegelibrary.org/files/original/cb45885814d11d450d3fd1afba20fde5.jpg 44e58334e9045ce123de46328ca4a8d3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource View of Venice: The Ducal Palace, Dogana, and Part of San Giorgio Description An account of the resource J. M. W. Turner's stunning View of Venice, one of the most important paintings in the AMAM collection, brilliantly captures the mood and atmosphere of a sun-drenched Venetian day. Rising to prominence first as a topographical watercolorist, then as a painter of historical, sublime landscapes, Turner was the most important British landscape painter during the first half of the nineteenth century. This painting epitomizes Turner's light, airy palette of cadmium yellows, whites, and the occasional touches of deep red. It was made for Turner's friend, the sculptor Sir Francis Chantrey, R.A., and was first exhibited in 1841 at the Royal Academy in London. Reviews of the 1841 exhibition praise Turner's Venetian pictures for "the clearness of air and water" and as being "a glorious example of colour, leaving, as usual, much to the fancy of the spectator; and absolutely extorting applause." Here the mouth of the Canale della Giudecca-with carefully placed gondolas- dynamically leads toward the horizon, with the Doges' Palace (Palazzo Ducale) and the Riva degli Schiavoni in the center, and the Piazzetta San Marco with the Campanile and the Libreria Sansoviniana to their left. The domed church of San Giorgio Maggiore dominates the right middle ground. Oberlin's painting, brilliantly executed in three layers over white ground, is in excellent condition with impasto and glazes still intact. Art dealer Joseph Duveen sold the Turner painting to Elisabeth Severance Prentiss in 1925. Creator An entity primarily responsible for making the resource Joseph Mallord William Turner English, 1775–1851 Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/14347">Allen Memorial Art Museum</a> Date A point or period of time associated with an event in the lifecycle of the resource 1841 Type The nature or genre of the resource Painting Format The file format, physical medium, or dimensions of the resource Oil on canvas Overall: 25 × 36 5/8 in. (63.5 × 93 cm) Frame: 34 7/8 × 47 × 5 in. (88.6 × 119.4 × 12.7 cm) https://physiology.oberlincollegelibrary.org/files/original/b0b4e3ff0cc4605a262b9f9d6e8a3951.jpg 0cefa716ae93038ef61e7fff96f6ea56 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled (Portrait of Mother, Son and Daughter) Creator An entity primarily responsible for making the resource Cindy Sherman (American, b. 1954) Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/6567">Allen Memorial Art Museum</a>, Art Rental Collection Transfer Date A point or period of time associated with an event in the lifecycle of the resource 1989 Format The file format, physical medium, or dimensions of the resource Black and white photograph in leather desk-top frame Sheet: 9 15/16 × 8 in. (25.2 × 20.3 cm) Frame: 12 3/8 × 10 7/16 in. (31.4 × 26.5 cm) Identifier An unambiguous reference to the resource within a given context 2006.11 Rights Information about rights held in and over the resource copyright: Cindy Sherman https://physiology.oberlincollegelibrary.org/files/original/c40b2477df68c90944ec4642496b9231.jpg fa5192a17d7eb8233a793ee094d0a229 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Anonymous Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/38399">The Allen Memorial Art Museum</a>, Gift of Peter J. Cohen Date A point or period of time associated with an event in the lifecycle of the resource 1967 Format The file format, physical medium, or dimensions of the resource Black and white photograph Image: 3 5/16 × 3 1/16 in. (8.4 × 7.8 cm) Sheet: 3 1/2 × 3 1/2 in. (8.9 × 8.9 cm) Identifier An unambiguous reference to the resource within a given context 2018.5.22 https://physiology.oberlincollegelibrary.org/files/original/68abdf4ef7d9ac5853241fb761fd76f1.jpg a7b4e1998c44ef5f13160c50a258a8b9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Description An account of the resource Comprising a stack of plastered white shirts speared by three black metal rebars, this work was created in response to the 1988 mass murder of male workers at a banana plantation in Colombia. Similar to the white work shirts the plantation workers would have worn, the garments stand in for the murdered men. The piercing of the shirts with rebars symbolizes the violence of their deaths. Originally shown in 1989 at the Galería Garcés Velásquez, the AMAM work was installed alongside several other stacks of plastered shirts of various heights, as well as metal bed frames wrapped in animal skins, lying on the floor or leaning up against the wall. The bed frames recall how the plantation workers were dragged out of their beds in the middle of the night and murdered in front of their families. One of Salcedo’s first projects to incorporate clothing, this installation marked a turning point in her body of work as she increasingly began to use clothing as her primary material. Creator An entity primarily responsible for making the resource Doris Salcedo Colombian, b. 1958 Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/10283">The Allen Memorial Art Museum</a>, Gift of Cristina Delgado (OC 1980) and Stephen F. Olsen (OC 1979) Date A point or period of time associated with an event in the lifecycle of the resource 1989-93 Contributor An entity responsible for making contributions to the resource Alexis Reed Format The file format, physical medium, or dimensions of the resource Shirts, gesso, and steel rebars Overall: 66 3/4 × 10 1/8 × 15 1/8 in. (169.5 × 25.7 × 38.4 cm) Base: 3 1/2 × 21 × 26 7/8 in. (8.9 × 53.3 × 68.3 cm) Type The nature or genre of the resource Work Identifier An unambiguous reference to the resource within a given context 2002.21.1 https://physiology.oberlincollegelibrary.org/files/original/3d62dd619cc7cfe95b7d7f7b3af513e8.jpg 04ff348189a3f5379cb0cb6104550756 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Two Women III Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/9817">Allen Memorial Art Museum</a>, Friends of Art Fund Creator An entity primarily responsible for making the resource Willem de Kooning (American, 1904–1997) Date A point or period of time associated with an event in the lifecycle of the resource 1952 Format The file format, physical medium, or dimensions of the resource Pastel, charcoal and graphite on wove paper Identifier An unambiguous reference to the resource within a given context 1957.11 Rights Information about rights held in and over the resource copyright: Estate of Willem de Kooning / Artists Rights Society (ARS), New York, NY https://physiology.oberlincollegelibrary.org/files/original/062b09fd2ee1a25584b9a7084b1e5097.pdf ba458e539a2ef416ac4c4af1deabedc8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Transcript of the Interview with Najwa Najjar Description An account of the resource Noran interviews Najwa Najjar, a Jordanian-Palestinian filmmaker Creator An entity primarily responsible for making the resource Noran Hussein Format The file format, physical medium, or dimensions of the resource PDF Type The nature or genre of the resource Interview Transcript