Deprecated: Creation of dynamic property HideElementsPlugin::$_settings is deprecated in /home/oberlinc/physiology.oberlincollegelibrary.org/plugins/HideElements/HideElementsPlugin.php on line 58
9 10 91 https://physiology.oberlincollegelibrary.org/files/original/83c34c2ca2e73401f11822dd54a7d131.jpg b61f49ded7d49eed9cef22b2b0e8c958 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Touch Me Description An account of the resource As an associate of the Fluxus movement during the 1960s, Yoko Ono staged provocative performance events that encouraged audience participation, such as her Cut Piece (1964) in which audience members were asked to snip away pieces of Ono’s clothing until she was left naked. Ono has continued to promote interactivity in her later works. In Touch Me, Ono instructs the participant to “add [a] colour painting” to the blank canvas, and then invites him or her to touch its painted surface through the text-shaped openings in the plexi layer. Touch Me playfully addresses the taboo nature of touch in an art museum setting. Creator An entity primarily responsible for making the resource Yōko Ono (Ono Yōko 小野洋子) Japanese, b. 1933 Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/36096">Allen Memorial Art Museum</a>, Gift of Douglas Baxter (OC 1972) in honor of the artist's grandfather Eijiro Ono (OC 1887) Date A point or period of time associated with an event in the lifecycle of the resource 2007 Contributor An entity responsible for making contributions to the resource Alexis Reed Format The file format, physical medium, or dimensions of the resource Die-cut plexiglass on canvas Overall: 13 × 17 3/4 × 1 1/4 in. (33 × 45.1 × 3.2 cm) Overall (White Storage Box): 13 1/2 × 18 3/8 × 1 1/2 in. (34.3 × 46.7 × 3.8 cm) Type The nature or genre of the resource Painting Rights Information about rights held in and over the resource Yoko Ono Identifier An unambiguous reference to the resource within a given context 2011.27.1 https://physiology.oberlincollegelibrary.org/files/original/062b09fd2ee1a25584b9a7084b1e5097.pdf ba458e539a2ef416ac4c4af1deabedc8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Transcript of the Interview with Najwa Najjar Description An account of the resource Noran interviews Najwa Najjar, a Jordanian-Palestinian filmmaker Creator An entity primarily responsible for making the resource Noran Hussein Format The file format, physical medium, or dimensions of the resource PDF Type The nature or genre of the resource Interview Transcript https://physiology.oberlincollegelibrary.org/files/original/3d62dd619cc7cfe95b7d7f7b3af513e8.jpg 04ff348189a3f5379cb0cb6104550756 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Two Women III Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/9817">Allen Memorial Art Museum</a>, Friends of Art Fund Creator An entity primarily responsible for making the resource Willem de Kooning (American, 1904–1997) Date A point or period of time associated with an event in the lifecycle of the resource 1952 Format The file format, physical medium, or dimensions of the resource Pastel, charcoal and graphite on wove paper Identifier An unambiguous reference to the resource within a given context 1957.11 Rights Information about rights held in and over the resource copyright: Estate of Willem de Kooning / Artists Rights Society (ARS), New York, NY https://physiology.oberlincollegelibrary.org/files/original/68abdf4ef7d9ac5853241fb761fd76f1.jpg a7b4e1998c44ef5f13160c50a258a8b9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Description An account of the resource Comprising a stack of plastered white shirts speared by three black metal rebars, this work was created in response to the 1988 mass murder of male workers at a banana plantation in Colombia. Similar to the white work shirts the plantation workers would have worn, the garments stand in for the murdered men. The piercing of the shirts with rebars symbolizes the violence of their deaths. Originally shown in 1989 at the Galería Garcés Velásquez, the AMAM work was installed alongside several other stacks of plastered shirts of various heights, as well as metal bed frames wrapped in animal skins, lying on the floor or leaning up against the wall. The bed frames recall how the plantation workers were dragged out of their beds in the middle of the night and murdered in front of their families. One of Salcedo’s first projects to incorporate clothing, this installation marked a turning point in her body of work as she increasingly began to use clothing as her primary material. Creator An entity primarily responsible for making the resource Doris Salcedo Colombian, b. 1958 Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/10283">The Allen Memorial Art Museum</a>, Gift of Cristina Delgado (OC 1980) and Stephen F. Olsen (OC 1979) Date A point or period of time associated with an event in the lifecycle of the resource 1989-93 Contributor An entity responsible for making contributions to the resource Alexis Reed Format The file format, physical medium, or dimensions of the resource Shirts, gesso, and steel rebars Overall: 66 3/4 × 10 1/8 × 15 1/8 in. (169.5 × 25.7 × 38.4 cm) Base: 3 1/2 × 21 × 26 7/8 in. (8.9 × 53.3 × 68.3 cm) Type The nature or genre of the resource Work Identifier An unambiguous reference to the resource within a given context 2002.21.1 https://physiology.oberlincollegelibrary.org/files/original/c40b2477df68c90944ec4642496b9231.jpg fa5192a17d7eb8233a793ee094d0a229 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Anonymous Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/38399">The Allen Memorial Art Museum</a>, Gift of Peter J. Cohen Date A point or period of time associated with an event in the lifecycle of the resource 1967 Format The file format, physical medium, or dimensions of the resource Black and white photograph Image: 3 5/16 × 3 1/16 in. (8.4 × 7.8 cm) Sheet: 3 1/2 × 3 1/2 in. (8.9 × 8.9 cm) Identifier An unambiguous reference to the resource within a given context 2018.5.22 https://physiology.oberlincollegelibrary.org/files/original/b0b4e3ff0cc4605a262b9f9d6e8a3951.jpg 0cefa716ae93038ef61e7fff96f6ea56 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled (Portrait of Mother, Son and Daughter) Creator An entity primarily responsible for making the resource Cindy Sherman (American, b. 1954) Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/6567">Allen Memorial Art Museum</a>, Art Rental Collection Transfer Date A point or period of time associated with an event in the lifecycle of the resource 1989 Format The file format, physical medium, or dimensions of the resource Black and white photograph in leather desk-top frame Sheet: 9 15/16 × 8 in. (25.2 × 20.3 cm) Frame: 12 3/8 × 10 7/16 in. (31.4 × 26.5 cm) Identifier An unambiguous reference to the resource within a given context 2006.11 Rights Information about rights held in and over the resource copyright: Cindy Sherman https://physiology.oberlincollegelibrary.org/files/original/cb45885814d11d450d3fd1afba20fde5.jpg 44e58334e9045ce123de46328ca4a8d3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource View of Venice: The Ducal Palace, Dogana, and Part of San Giorgio Description An account of the resource J. M. W. Turner's stunning View of Venice, one of the most important paintings in the AMAM collection, brilliantly captures the mood and atmosphere of a sun-drenched Venetian day. Rising to prominence first as a topographical watercolorist, then as a painter of historical, sublime landscapes, Turner was the most important British landscape painter during the first half of the nineteenth century. This painting epitomizes Turner's light, airy palette of cadmium yellows, whites, and the occasional touches of deep red. It was made for Turner's friend, the sculptor Sir Francis Chantrey, R.A., and was first exhibited in 1841 at the Royal Academy in London. Reviews of the 1841 exhibition praise Turner's Venetian pictures for "the clearness of air and water" and as being "a glorious example of colour, leaving, as usual, much to the fancy of the spectator; and absolutely extorting applause." Here the mouth of the Canale della Giudecca-with carefully placed gondolas- dynamically leads toward the horizon, with the Doges' Palace (Palazzo Ducale) and the Riva degli Schiavoni in the center, and the Piazzetta San Marco with the Campanile and the Libreria Sansoviniana to their left. The domed church of San Giorgio Maggiore dominates the right middle ground. Oberlin's painting, brilliantly executed in three layers over white ground, is in excellent condition with impasto and glazes still intact. Art dealer Joseph Duveen sold the Turner painting to Elisabeth Severance Prentiss in 1925. Creator An entity primarily responsible for making the resource Joseph Mallord William Turner English, 1775–1851 Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/14347">Allen Memorial Art Museum</a> Date A point or period of time associated with an event in the lifecycle of the resource 1841 Type The nature or genre of the resource Painting Format The file format, physical medium, or dimensions of the resource Oil on canvas Overall: 25 × 36 5/8 in. (63.5 × 93 cm) Frame: 34 7/8 × 47 × 5 in. (88.6 × 119.4 × 12.7 cm) https://physiology.oberlincollegelibrary.org/files/original/c996cb2ea037a6a4a68335232c9563db.pdf 53d68e125f39231ef36a84bfa7742cd5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Who Deserves Autonomy, and Whose Autonomy Deserves Respect? Creator An entity primarily responsible for making the resource Tom L. Beauchamp Source A related resource from which the described resource is derived Personal autonomy: new essays on personal autonomy and its role in contemporary moral philosophy Publisher An entity responsible for making the resource available <a href="https://www.cambridge.org/core/books/personal-autonomy/who-deserves-autonomy-and-whose-autonomy-deserves-respect/706C3FA5205EE78D3E942B8C4CFB84B9">Cambridge University Press</a> Date A point or period of time associated with an event in the lifecycle of the resource 2009 Type The nature or genre of the resource Essay Format The file format, physical medium, or dimensions of the resource Online publication Identifier An unambiguous reference to the resource within a given context https://doi.org/10.1017/CBO9780511614194.015 https://physiology.oberlincollegelibrary.org/files/original/c808ad5799a667aa6a608baa93ad0066.jpg 0b6e221571c7905500caae8ecd32976b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Will You Starve That They Be Better Fed? Description An account of the resource Minnesota Starvation Study recruitment brochure that says "Will you starve that they be better fed", featuring an image of children with empty bowls. Creator An entity primarily responsible for making the resource Unknown Source A related resource from which the described resource is derived <a href="https://ccforum.biomedcentral.com/articles/10.1186/s13054-017-1906-8#citeas">Critical Care, 21(316)</a> Date A point or period of time associated with an event in the lifecycle of the resource May 27, 1944 Type The nature or genre of the resource Brochure Format The file format, physical medium, or dimensions of the resource Image Rights Information about rights held in and over the resource <a href="https://creativecommons.org/licenses/by/4.0/">Creative Commons</a> https://physiology.oberlincollegelibrary.org/files/original/4a047305c51861a3aa63fa29bc43fcfb.jpg 8f16af4f23b429de4e0b525f7ce13641 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Oil on Canvas Physical Dimensions The actual physical size of the original image 31 1/2 x 42 1/8 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woman in Recline: The Siege of Leningrad, Leningrad, 1964 Creator An entity primarily responsible for making the resource Felix Lembersky Description An account of the resource Portrayal of life under the Siege of Leningrad by Russian born artist who completed his art degree during the siege. Source A related resource from which the described resource is derived <a href="http://www.lembersky.org/en/artwork/p013" target="_blank" rel="noopener">Lembersky.org</a> Date A point or period of time associated with an event in the lifecycle of the resource 1964 Contributor An entity responsible for making contributions to the resource Kira Nathan Format The file format, physical medium, or dimensions of the resource still image Rights Information about rights held in and over the resource Yelena Lembersky Identifier An unambiguous reference to the resource within a given context Catalog Number P013