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8 10 91 https://physiology.oberlincollegelibrary.org/files/original/d69fe497613079a3f61a08cbaafdad4c.pdf 0279554834267ce282d41ea52baf3b63 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Supporting Patient Autonomy: The Importance of Clinician-patient Relationships Creator An entity primarily responsible for making the resource Vikki A. Entwistle, PhD, Stacy M. Carter, PhD, Alan Cribb, PhD, and Kirsten McCaffery, PhD Publisher An entity responsible for making the resource available Journal of General Internal Medicine Date A point or period of time associated with an event in the lifecycle of the resource 2010 Type The nature or genre of the resource Journal article Source A related resource from which the described resource is derived <a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC2881979/">Journal of General Internal Medicine</a> Vol. 25, Iss. 7, July, 2010, pp. 741–745 Format The file format, physical medium, or dimensions of the resource Digital article Identifier An unambiguous reference to the resource within a given context 10.1007/s11606-010-1292-2 https://physiology.oberlincollegelibrary.org/files/original/b7a740d7e802d3a11cdd5ee275c78bca.jpg d129c95976d42b5eefaae70f306f5bea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Biology of Human Starvation Description An account of the resource Dr. Keys' account of the experiment. Creator An entity primarily responsible for making the resource Ancel Keys Josef Brozek, Contributor Austin Henschel, Contributor Source A related resource from which the described resource is derived The Biology of Human Starvation, vol. 1 & 2 Publisher An entity responsible for making the resource available University of Minnesota Press Date A point or period of time associated with an event in the lifecycle of the resource 1950 Contributor An entity responsible for making contributions to the resource Elliot Greenberg Format The file format, physical medium, or dimensions of the resource Book Language A language of the resource English Type The nature or genre of the resource Book Minnesota Starvation Experiment https://physiology.oberlincollegelibrary.org/files/original/cd5154cd950d7f3c8638e964f8ae8139.jpg 3f9ab2e95e0acd68af5523e1abc4d439 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Education of Black People: Ten Critiques, 1906–1960 Description An account of the resource Undoubtedly the most influential black intellectual of the twentieth century and one of America’s finest historians, W.E.B. Du Bois knew that the liberation of African Americans required liberal education and not vocational training. He saw education as a process of teaching certain timeless values: moderation, an avoidance of luxury, a concern for courtesy, a capacity to endure, a nurturing love for beauty. At the same time, Du Bois saw education as fundamentally subversive. This was as much a function of the well-established role of education—from Plato forward—as the realities of the social order under which he lived. He insistently calls for great energy and initiative; for African Americans controlling their own lives and for continued experimentation and innovation, while keeping education’s fundamentally radical nature in view. Taken together, these ten essays cover half a century during which the social, political, and technological transformations were unparalleled by any in recorded history. And while Du Bois reflects these changes, certain constants persist: a demand for excellence, sacrifice, and a life of service; and an insistence that while such a life will bring hardships and temptations, it will also bring fulfillment. In Du Bois’s view, only with such a life will one truly live. In this affirmation, there runs a particular feeling that the history of African Americans has profoundly influenced their ideas about service, of compassion, of justice. Though containing speeches written nearly one-hundred years ago, and on a subject that has seen more stormy debate and demagoguery than almost any other in recent history, The Education of Black People approaches education with a timelessness and timeliness, at once rooted in classical thought that reflects a remarkably fresh and contemporary relevance. Creator An entity primarily responsible for making the resource W. E. B. Du Bois Publisher An entity responsible for making the resource available Monthly Review Press Date A point or period of time associated with an event in the lifecycle of the resource 2001 Type The nature or genre of the resource Book (Collection of speeches) Source A related resource from which the described resource is derived <a href="https://monthlyreview.org/product/education_of_black_people/">Monthly Review Press</a> Identifier An unambiguous reference to the resource within a given context 9781583670439 https://physiology.oberlincollegelibrary.org/files/original/f48e8152879bcb92f9b4450e56c52891.jpg 61de66cd3bedcdeae6b378da4476374e https://physiology.oberlincollegelibrary.org/files/original/aea81f9452440e8a7c0ebccbe5246934.jpg 61de66cd3bedcdeae6b378da4476374e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Mantram "Namumyohorengekyo" Appears to Nichiren in the Waves near Sumida on the Way to Exile on Sado Island, from the series A Short Pictorial Biography of the Founder of the Nichiren Sect Creator An entity primarily responsible for making the resource Utagawa Kuniyoshi (歌川国芳) Japanese, 1797–1861 Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/1586">Allen Memorial Art Museum</a> Date A point or period of time associated with an event in the lifecycle of the resource mid-1830s Format The file format, physical medium, or dimensions of the resource Color Woodblock Print Overall: 10 3/16 × 15 1/16 in. (25.9 × 38.2 cm) Type The nature or genre of the resource Print https://physiology.oberlincollegelibrary.org/files/original/0bec2f9661f1609009e335033e6db47a.PNG 799c848c3df3c674b334e893d71f084e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The mediating role of positive relations with others in associations between depressive symptoms, social skills, and perceived stress. Creator An entity primarily responsible for making the resource Segrin, Chris and Rynes, Kristina N. Source A related resource from which the described resource is derived <a href="https://journals.ohiolink.edu/pg_200?::NO:200:P200_ARTICLEID:330674582">Journal of Research in Personality</a>, Vol. 43, Iss. 6, December, 2009, pp. 962-971 Date A point or period of time associated with an event in the lifecycle of the resource 2009 Contributor An entity responsible for making contributions to the resource Max Scott Cheyenne Arthur Type The nature or genre of the resource journal article Identifier An unambiguous reference to the resource within a given context 10.1016/J.JRP.2009.05.012 https://physiology.oberlincollegelibrary.org/files/original/470644b22d06851629b67fd4dc14931f.jpg 8943bf137367e72fe1a9db3971f3cba4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The orchestra of the Janowska Camp in Lvov, Poland in 1943 Subject The topic of the resource Performance in Lvov, Poland Date A point or period of time associated with an event in the lifecycle of the resource 1940s Contributor An entity responsible for making contributions to the resource Dorothy Klement Source A related resource from which the described resource is derived <a href="http://www.holocaust-lestweforget.com/orchestra.html">The Holocaust- Lest We Forget - Orchestras</a> Rights Information about rights held in and over the resource The Holocaust - Lest We Forget Format The file format, physical medium, or dimensions of the resource Image Type The nature or genre of the resource Photograph https://physiology.oberlincollegelibrary.org/files/original/bf8c8360f6d889415884b8260c87e255.jpg fa5a7580490d202f203de84d574bcf67 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Prodigal Son Description An account of the resource Auguste Rodin is arguably one of the most influential artists of the modern age, and produced a vast array of sculptures in plaster, marble, and bronze, as well as many drawings. His works are known for championing the ruggedness, strength, and materiality of the human body and the powerful emotions to which it is subject. Rodin was awarded numerous public commissions in France in the late nineteenth century, and took up subjects ranging from portraits of notable men, such as the writer Honoré de Balzac, to those inspired from biblical or classical events. This powerfully emotional work displays the vulnerability of its protagonist, a young man who kneels on a massive rock, torso uncomfortably angled, head thrown back and arms outstretched. His face, with open mouth, is similar to that in numerous other works by the artist that express sorrow, longing, or fear. The prodigal son, from a biblical parable, leaves his family and returns destitute, pleading for mercy and forgiveness. His despair, energy, and pentup feelings are fully expressed in Rodin's work. The figure was created by Rodin for inclusion in the late 1880s in his monumental Gates of Hell; he appears twice in the right panel, both vertically and horizontally as part of a group with a female body, later reworked by the artist as the Fugit Amor group, and symbolic of the disillusionment and pain of dying love. Neither group is present in an April 1887 photograph of the plaster model for the Gates, but a freestanding Fugit Amor was exhibited in plaster in Paris in 1887; therefore, the initial conception for the group, and Oberlin's male figure, probably dates to that year. As he did with other figures from the Gates, Rodin enlarged, modified, and reused a single figure from his initial idea to create a monumental work, as is the case for The Prodigal Son. Creator An entity primarily responsible for making the resource François-Auguste-René Rodin French, 1840–1917 Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/6928">Allen Memorial Art Museum</a>, <span>R. T. Miller Jr. Fund</span> Date A point or period of time associated with an event in the lifecycle of the resource c. 1905 Contributor An entity responsible for making contributions to the resource Alexis Reed Format The file format, physical medium, or dimensions of the resource Bronze with dark green patina Overall: 54 1/4 × 26 × 27 in. (137.8 × 66 × 68.6 cm) Type The nature or genre of the resource Sculpture Identifier An unambiguous reference to the resource within a given context 1955.32 https://physiology.oberlincollegelibrary.org/files/original/2ede4d3cbd522c044bbfbd1d9ea17628.jpg dff33647e7c2f925dec9e7708003e3b3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Rape of Persephone Description An account of the resource This painting, together with Rothko's "The Syrian Bull," was exhibited in 1943 at the Third Annual Exhibition of Modern Painters and Sculptors at Wildenstein Gallery in New York City, where they attracted the attention of Edward Alden Jewell of the New York Times. Jewell singled them out as incomprehensible in a review in that paper, writing, "You will have to make of Marcus Rothko's 'The Syrian Bull' what you can; nor is this department prepared to shed the slightest enlightenment when it comes to Adolph Gottlieb's 'Rape of Persephone.' " Both paintings show the influence of European surrealism, the dominant aesthetic of the day. Rothko's work prefigures his later Color Field paintings, in its glowing colors, rectilinear organization, and ambiguous forms, while Gottlieb's is clearly part of his use of what he called "pictographs": flat forms, often floating on an undefined background, and influenced by tribal and archaic art. Gottlieb and Rothko asked their friend Barnett Newman to assist them in responding to Jewell's review; their letter was published on June 13, 1943. It is a compendium of the principles under which the artists would work for much of the decade, and effectively laid out a first manifesto relating to the painting of the nascent New York School, which developed into Abstract Expressionism. They declared that abstract forms are the "simple expression of the complex thought," their commitment to "subject matter which is tragic and timeless," their "spiritual kinship with primitive and archaic art," and that the meaning of a painting must come about through a "consummated experience between picture and onlooker." For his assistance in crafting the response, Gottlieb and Rothko gave their paintings to Newman, whose wife Annalee Newman subsequently donated them to the AMAM in honor of Professor Ellen Johnson. Johnson's relationships with many New York artists, particularly in the 1960s and '70s, were fundamental for the enlargement and quality of the AMAM's late twentieth century art collection. Creator An entity primarily responsible for making the resource Adolph Gottlieb American, 1903–1974 Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/11918">Allen Memorial Art Museum</a>, <span>Gift of Annalee Newman in honor of Ellen H. Johnson</span> Date A point or period of time associated with an event in the lifecycle of the resource 1943 Contributor An entity responsible for making contributions to the resource Alexis Reed Format The file format, physical medium, or dimensions of the resource Oil on canvas Overall: 34 3/16 × 26 1/8 in. (86.8 × 66.4 cm) Frame: 41 1/4 × 33 1/4 × 1 5/8 in. (104.8 × 84.5 × 4.1 cm) Type The nature or genre of the resource Painting Rights Information about rights held in and over the resource Adolph and Esther Gottlieb Foundation / Visual Artists and Galleries Association (VAGA), New York, NY Identifier An unambiguous reference to the resource within a given context 1991.41.2 https://physiology.oberlincollegelibrary.org/files/original/be02cb06598638b9f7189120a8c602b0.jpg 4a9157521a010ffd54d8d435201569e6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Stigmatization of St. Francis Description An account of the resource An exceptional colorist and the most sensitive of draftsmen, Barocci executed only a few prints. Not surprisingly, his approach to printmaking was quite painterly. Here he creates an atmospheric representation of Saint Francis receiving the stigmata while praying in the hills above Assisi. Through a judicious application of both etching and engraving—an innovative combination at the time—Barocci translates the saint’s ecstasy into a physical haze of natural forms in the background that fade away from Francis’s more strongly delineated figure. Through masterful handling of the medium, Barocci conveys the intensity and wonder of the saint’s experience. Creator An entity primarily responsible for making the resource Federico Barocci Italian, ca. 1535–1612 Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/1881">Allen Memorial Art Museum</a>, <span>Gift of Parks and Christie Campbell</span> Date A point or period of time associated with an event in the lifecycle of the resource ca. 1581 Contributor An entity responsible for making contributions to the resource Alexis Reed Format The file format, physical medium, or dimensions of the resource Etching and engraving Overall: 9 × 5 13/16 in. (22.9 × 14.8 cm) Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context 1983.32 https://physiology.oberlincollegelibrary.org/files/original/eb91e3f65a9786d9b94061602419a761.jpg e22fed5a7f421ba5f24d8985259bac01 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Sunflower Quilting Bee at Arles Creator An entity primarily responsible for making the resource Faith Ringgold (American, b. 1930) Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/6577">The Allen Memorial Art Museum</a>, Gift of Mr. and Mrs. Paul B. Arnold Date A point or period of time associated with an event in the lifecycle of the resource 1996 Format The file format, physical medium, or dimensions of the resource Color lithograph Overall: 22 1/2 × 30 in. (57.2 × 76.2 cm) Identifier An unambiguous reference to the resource within a given context 1996.21 Rights Information about rights held in and over the resource copyright: Faith Ringgold