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5 10 91 https://physiology.oberlincollegelibrary.org/files/original/5ce2cbe314d1820d6fbc4150f6fee2f2.jpg d4c971ac5b3fc8d7b73bf2d05beb9ba6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource David Description An account of the resource "David” by Bernini is a life-size marble sculpture depicting the biblical David, about to throw the stone that will bring down Goliath, whom he then beheads. Compared to earlier works on this subject such as the David of Michelangelo, the sculpture broke new ground in its sense of movement and its psychological intensity. This sculpture shows a key event from the Old Testament during the war between the Israelites and the Philistines. Goliath was the battle champion of the Philistines, and he challenged the Israelite army to settle the conflict by single combat. David is a young shepherd who has gained fame as the king’s musician but accepts the challenge when no one else steps forward to defend the Israeli cause. David refuses the king’s offer of the royal armor and faces Goliath with just a stone from his sling. “When the Philistine [Goliath] arose and came and drew near to meet David, David sprinted toward the battle line to meet the Philistine. And David put his hand in his bag and took out a stone and slung it and struck the Philistine on his forehead. The stone sank into his forehead, and he fell on his face to the ground.” Bernini shows David clothed as a typical shepherd, and at his feet lies the armor of Israel’s King, Saul, given to David for battle. The armor is shed by David, as he was unaccustomed to it, and he had faith that he can fight better without the constraint of the heavy armor. At David’s feet is also his harp. The harp was often included as an iconographic device for David, which references to his skills as a harpist. The biblical David was a favorite subject among artists and had been treated by sculptors such as Donatello (c.1440s), Verrocchio (1473-1475), and Michelangelo (1501-1504). Bernini’s David, though influenced by these works, adds to the art form in different and significant ways. This sculpture was one of many commissioned to decorate the villa of Bernini’s patron Cardinal Scipione Borghese, where it is exhibited today, as part of the Galleria Borghese. Creator An entity primarily responsible for making the resource Gian Lorenzo Bernini Italian, 1598-1680 Date A point or period of time associated with an event in the lifecycle of the resource 1623–24 Type The nature or genre of the resource Sculpture Source A related resource from which the described resource is derived <a href="https://joyofmuseums.com/museums/europe/italy-museums/rome-museums/galleria-borghese/david-by-bernini/">Joy of Museums</a> Format The file format, physical medium, or dimensions of the resource Marble 170 cm (67 in) https://physiology.oberlincollegelibrary.org/files/original/d4877b1974a0c93a9da89cbe3219723b.mp3 9cfc6d88991f9adf290b4716da811e41 Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Monica Mamdouh Naguib Interviewee The person(s) being interviewed Malak Zaalouk Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio recording Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 33:44 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Malak Zaalouk Description An account of the resource Monica Mamdouh Naguib, a student at the American University of Cairo, interviewed Malak Zaalouk as part of school projects on well-being through oral history. Creator An entity primarily responsible for making the resource Monica Mamdouh Naguib Source A related resource from which the described resource is derived <a href="https://drive.google.com/file/d/1EkRuhQ2-FA_Dm_xn_hWNGJbkT3Ieb7QE/view">Google Drive</a> Date A point or period of time associated with an event in the lifecycle of the resource n.d. https://physiology.oberlincollegelibrary.org/files/original/c996cb2ea037a6a4a68335232c9563db.pdf 53d68e125f39231ef36a84bfa7742cd5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Who Deserves Autonomy, and Whose Autonomy Deserves Respect? Creator An entity primarily responsible for making the resource Tom L. Beauchamp Source A related resource from which the described resource is derived Personal autonomy: new essays on personal autonomy and its role in contemporary moral philosophy Publisher An entity responsible for making the resource available <a href="https://www.cambridge.org/core/books/personal-autonomy/who-deserves-autonomy-and-whose-autonomy-deserves-respect/706C3FA5205EE78D3E942B8C4CFB84B9">Cambridge University Press</a> Date A point or period of time associated with an event in the lifecycle of the resource 2009 Type The nature or genre of the resource Essay Format The file format, physical medium, or dimensions of the resource Online publication Identifier An unambiguous reference to the resource within a given context https://doi.org/10.1017/CBO9780511614194.015 https://physiology.oberlincollegelibrary.org/files/original/38483297905668d4fd15c831bb6b084d.pdf a34d41c2ef5387400232ddd577c73a19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Autonomy and Free Agency Creator An entity primarily responsible for making the resource Marina A. L. Oshana Source A related resource from which the described resource is derived Personal autonomy: new essays on personal autonomy and its role in contemporary moral philosophy Publisher An entity responsible for making the resource available <a href="https://www.cambridge.org/core/books/personal-autonomy/autonomy-and-free-agency/2FA3F88F40BC8AA3C3E11B0ED5B5F56F">Cambridge University Press</a> Date A point or period of time associated with an event in the lifecycle of the resource 2009 Type The nature or genre of the resource Essay Format The file format, physical medium, or dimensions of the resource Online publication Identifier An unambiguous reference to the resource within a given context https://doi.org/10.1017/CBO9780511614194.009 Description An account of the resource The author explores questions about the kind of freedom personal or agential autonomy is said to require. https://physiology.oberlincollegelibrary.org/files/original/6270a78a10720cf05643f7d0e49b0049.pdf ff241ec8a7f9891c743d40c989e07ad3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alternative Possibilities, Personal Autonomy, and Moral Responsibility Creator An entity primarily responsible for making the resource Ishtiyaque Haji Source A related resource from which the described resource is derived Personal Autonomy: New Essays on Personal Autonomy and its Role in Contemporary Moral Philosophy Publisher An entity responsible for making the resource available <a href="https://www.cambridge.org/core/books/personal-autonomy/alternative-possibilities-personal-autonomy-and-moral-responsibility/6ACC2458DC5B64BC04390EAFEF65822B">Cambridge University Press</a> Date A point or period of time associated with an event in the lifecycle of the resource 2009 Type The nature or genre of the resource Essay Identifier An unambiguous reference to the resource within a given context https://doi.org/10.1017/CBO9780511614194.011 Description An account of the resource The Principle of Alternative Possibilities (PAP) and how it relates to aspects of well-being. https://physiology.oberlincollegelibrary.org/files/original/e01db26c37bf296b9ad1290947df0652.pdf 98a5baaf036849b98500524b0727e46a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Henry V "St. Crispin's Day Speech" Description An account of the resource An iconic monologue from Shakespeare's Henry V Creator An entity primarily responsible for making the resource William Shakespeare Type The nature or genre of the resource Digital Script Source A related resource from which the described resource is derived <a href="https://shakespeare.folger.edu/shakespeares-works/henry-v/act-4-scene-3/">The Folger Shakespeare</a> Date A point or period of time associated with an event in the lifecycle of the resource 1600 Format The file format, physical medium, or dimensions of the resource PDF https://physiology.oberlincollegelibrary.org/files/original/33c1ecca377a9484d1c574feee8bc67b.jpg 3a59b8ab1d4f650641d051480a053da8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An Old Picture of Cairo University Subject The topic of the resource Cairo University Description An account of the resource This is an old picture of Cairo University, which may or may not be related to the education of our subject. Source A related resource from which the described resource is derived <a href="https://www.pinterest.com/pin/146648531596340839/">Pinterest</a> Creator An entity primarily responsible for making the resource Unknown Date A point or period of time associated with an event in the lifecycle of the resource n.d. Format The file format, physical medium, or dimensions of the resource Digital Photograph Type The nature or genre of the resource Photograph https://physiology.oberlincollegelibrary.org/files/original/356e26560c76d1169061bac20d3b6287.jpg 4a82879e0936ecddabc0c9532a215500 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Self Portrait Dedicated to Dr Eloesser Description An account of the resource Christian imagery, especially the theatrically bloody martyrdoms that hang in Mexican churches, pervades Frida's iconography. Her house in Coyoacan displays a particularly gruesome Road to Calvary, in which the overemphasis on Christ's wounds seizes the spectator on the most primitive physical level. This bloodiness and self-mortification hark back to preconquest times, when the Aztecs tore out human hearts and punctured their own skins to ensure life's continuance. But it was Spanish Catholicism that brought to Mexico the depiction of pain in veristic and human terms, creating images so real and so frightening that the Indians could not help but be awestruck and, of course, converted. Borrowing the rhetoric of Catholicism, Frida used the same combination of pain and realism to attract devotees to her cause. In another 1940 Self Portrait, Dedicated to Dr Eloesser Frida's necklace of thorns is just a single strand, but it draws even more blood. In the background, leafless broken-off twigs profiled against an opalescent sky look like the dead twigs woven into Frida's necklace in the self-portrait with the hummingbird. No doubt the dry white buds that mingle with the twigs (and that droop from Frida's headdress as well) likewise refer to her desolation. Although Frida has flowers in her hair and wears the earrings in the shape of hands that Picasso gave her when she was in Paris, she looks like someone dressed for a ball for which she has no escort. Frida's work from the year in which she and Diego Rivera were separated demonstrates a heightened awareness of color's capacity to drive home emotional truths. As a self-taught artist, she began with a highly personal and unorthodox feeling for color. Her palette came out of her love for the startling combinations of bougainvillea pinks, purples, and yellows seen in the decorative arts of Mexico. She chose colors the way she chose her clothes - with exquisite aesthetic calculation. In such early works as Henry Ford Hospital, pastels create an ironic disjunction with the painful subject matter. In later paintings the choice of colors is just as odd and often even more dissonant and complex. The soft, pearly sky and the bright flowers in the Eloesser Self-Portrait, for example, only accentuate the chill of Frida's predicament. Their richness recalls the way statues of the scourged Christ in Mexican churches are often surrounded by flowers, lace, velvet, and gold. Creator An entity primarily responsible for making the resource Frida Kahlo Date A point or period of time associated with an event in the lifecycle of the resource 1940 Type The nature or genre of the resource Painting Source A related resource from which the described resource is derived <a href="https://www.fridakahlo.org/self-portrait-dedicated-to-dr-eloesser.jsp#prettyPhoto">fridakahlo.org</a> Format The file format, physical medium, or dimensions of the resource Oil Painting https://physiology.oberlincollegelibrary.org/files/original/3187b2e249b4b5c131e8c5170247bd15.m4a 88e58e87b0cc67407097814c0b40c3e8 Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Hams Khamis Interviewee The person(s) being interviewed Hams Khamis's Mother Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio recording Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 41:00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hams Khamis's mother Description An account of the resource Hams Khamis, a student at the American University of Cairo, interviewed her mother as part of our projects on well-being. Creator An entity primarily responsible for making the resource Hams Khamis Date A point or period of time associated with an event in the lifecycle of the resource n.d. https://physiology.oberlincollegelibrary.org/files/original/5a36fb40990a2e6fb3d78ae6009f0f77.pdf 686ca6197841b430e6b1e3b4ad1a1683 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Do Not Go Gentle Into That Good Night Description An account of the resource A selection from "The Poems of Dylan Thomas". Creator An entity primarily responsible for making the resource Dylan Thomas Source A related resource from which the described resource is derived <a href="https://bookshop.org/books/the-poems-of-dylan-thomas/9780811221146">The Poems of Dylan Thomas</a> Publisher An entity responsible for making the resource available New Directions Publishing Corporation Date A point or period of time associated with an event in the lifecycle of the resource 2017 Type The nature or genre of the resource Poem Identifier An unambiguous reference to the resource within a given context 9780811221146