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4 10 91 https://physiology.oberlincollegelibrary.org/files/original/efb11c6fbc7c1f378c856d93272f50ce.m4a eefbb62e4cbaeae51f6c7a56c1222ffb Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Zach Taylor Interviewee The person(s) being interviewed Kathleen Carothers Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio recording Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 31:10 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kathleen Carothers Creator An entity primarily responsible for making the resource Zachary Taylor Jack Lesniak Date A point or period of time associated with an event in the lifecycle of the resource n.d. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Zach Taylor Interviewee The person(s) being interviewed Kathleen Carothers Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio recording Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 31:10 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kathleen Carothers Creator An entity primarily responsible for making the resource Jack Lesniak Source A related resource from which the described resource is derived <br /><iframe style="width: 100%; height: 1000px;" src="http://oberlincollegelibrary.org/ohms-viewer/viewer.php?cachefile=Oberlin_College_TA04.xml"></iframe> Date A point or period of time associated with an event in the lifecycle of the resource 2019 Hyperlink A link, or reference, to another resource on the Internet. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Recorded song<br /><br /> Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 3:17 min. URL https://soundcloud.com/stonehill-collection/stonehill0146-coolies Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kulis (Coolies) Creator An entity primarily responsible for making the resource Dianna Blumenfeld, Performer Sh. Sheynkinder, Lyricist Goldberg, Composer Language A language of the resource Yiddish Subject The topic of the resource Yiddish Song from Warsaw Ghetto Source A related resource from which the described resource is derived <a href="https://stonehilljewishsongs.wordpress.com/2018/04/17/0077-kulis-coolies/">Stonehill Catalogue #0077</a> Format The file format, physical medium, or dimensions of the resource soundcloud embedded file Description An account of the resource Rewritten Oriental kitsch song to reflect life in Warsaw Ghetto and the similarities between physical strain of life on japanese and jewish "coolies" - who were forced to drag rickshaws around town when the trams stopped working in Ghettos and camps. Publisher An entity responsible for making the resource available Stonehill Jewish Song Archive Date A point or period of time associated with an event in the lifecycle of the resource 1940s https://physiology.oberlincollegelibrary.org/files/original/3c259bf73320189fb1c1b16c08e82b99.jpg 500239110fe82691cc63b097a053e848 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource L'Alerte Creator An entity primarily responsible for making the resource Felix Vallotton (Swiss, 1865–1925) Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/5740">Allen Memorial Art Museum</a> Date A point or period of time associated with an event in the lifecycle of the resource 1895 Format The file format, physical medium, or dimensions of the resource Woodcut https://physiology.oberlincollegelibrary.org/files/original/1f044b61cd3a4d1f00f3364c1608b25f.jpg c6cf785bbf35312ca510776a91fb0540 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lamentation of Christ at the Tomb Description An account of the resource In this masterful drawing by Filippino Lippi, Christ's body is supported on the edge of his tomb by a man (either Joseph of Arimathea or Nicodemus) while angels bearing the three nails and crown of thorns reverently support Christ's arms. The drawing has been pricked for transfer, and is the only surviving pricked drawing by the artist. It is also one of the few known pricked Renaissance drawings for which the corresponding panel painting, part of the predella to an altarpiece (National Gallery of Art, Washington, DC) survives. Pricking consists of making small pinprick holes along the outlines of a preparatory drawing. The drawing was then overlaid on a surface such as a panel, wall, or canvas, and a powder-often pulverized charcoal- was dusted over it, penetrating the holes. The traces of charcoal left on the surface of the panel or other support supplied the outlines used in painting the final version of the work. The influence of Leonardo da Vinci in this work is strongly felt, particularly in the psychological intensity, exquisite modeling, and dramatic chiaroscuro. Evidence of reworking can be seen in the angels' wings and Christ's hands; the artist once intended to show the spear that pierced Christ's side more prominently. Christ's frontal position and the symmetrically placed angels give the drawing a monumental character far removed from its actual size. Creator An entity primarily responsible for making the resource Filippino Lippi Italian, 1457–1504 Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/6590">The Allen Memorial Art Museum</a>, <span>R. T. Miller Jr. Fund</span> Date A point or period of time associated with an event in the lifecycle of the resource ca. 1500 Contributor An entity responsible for making contributions to the resource Alexis Reed Format The file format, physical medium, or dimensions of the resource Pen and brush and brown ink and washes, heightened with white opaque paint on paper; contours pricked for transfer. Overall: 7 1/16 × 10 3/8 in. (18 × 26.3 cm) Type The nature or genre of the resource Drawing Identifier An unambiguous reference to the resource within a given context 1954.64 https://physiology.oberlincollegelibrary.org/files/original/901487682adfa5d40ebde61d50a2ab1d.pdf 7d004c76976ed1cb5e17ba2c3b5d4c98 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Life Course Perspectives on Women's Autonomy and Health Outcomes Source A related resource from which the described resource is derived <span style="background-color: #ffffff;"><a href="https://www.jstor.org/stable/pdf/683268.pdf">Health Transition Review</a>, Vol. 6, Supplement, 1996, pp. 213-231</span> Creator An entity primarily responsible for making the resource Monica Das Gupta Date A point or period of time associated with an event in the lifecycle of the resource 1996 Format The file format, physical medium, or dimensions of the resource PDF Type The nature or genre of the resource Journal Article https://physiology.oberlincollegelibrary.org/files/original/897677a56e50b6ef46a0576d4028bfd4.jpg 4f2fa004b4e2f05b9ccabbd49d21c690 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lucretia Description An account of the resource This painting by Domenico Beccafumi is probably a fragment of a full-length figure of the Roman heroine Lucretia, it has been cut down on all sides. The ancient historian Livy originally told the story of Lucretia, wife of a Roman nobleman, who was violated by a son of the Etruscan king. Shamed by the loss of her honor, Lucretia killed herself, but not before calling on her husband, father, and brothers to avenge her. The result was the expulsion of the kings from Rome and the establishment of the Republic. Creator An entity primarily responsible for making the resource Domenico Beccafumi Italian, 1484–1551 Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/9357">Allen Memorial Art Museum</a>, Gift of the Samuel H. Kress Foundation Date A point or period of time associated with an event in the lifecycle of the resource ca. 1515-18 Contributor An entity responsible for making contributions to the resource Alexis Reed Format The file format, physical medium, or dimensions of the resource Oil on panel Overall: 16 1/4 × 12 7/8 in. (41.3 × 32.7 cm) Frame: 22 × 18 5/8 × 3 in. (55.9 × 47.3 × 7.6 cm) Type The nature or genre of the resource Painting Identifier An unambiguous reference to the resource within a given context 1961.82 https://physiology.oberlincollegelibrary.org/files/original/43765862028405a0cadae242641d87cc.jpg a742e0d46f03836878a66123aaa90bac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Macarena Esperanza Description An account of the resource Audrey Flack depicts a celebrated statue of the Virgin Mary made by the Spanish Baroque sculptor Luisa Roldán (1652–1706), venerated to this day in Seville. Borne by penitents and accompanied by hymns of sorrow, the statue Macarena Esperanza (Our Lady of Hope of Macarena) is paraded as part of Holy Week celebrations. Devotees believe the statue is the Virgin Mary herself and attribute miraculous capacities to it. Through devotion to wooden statues like Roldàn’s, believers hope to bring about positive change in their lives. Flack highlights the precious jewels, lace, and gold that have been added to the sculpture over time, representing them as if they are apart from the figure, suggesting that the Macarena’s power emanates from within. Flack’s work, though large, resembles the qualities of a postcard (the way in which Flack was first introduced to the sculpture). Through its mode of reproduction, Flack effectively demonstrates a widely held Catholic belief: that replication enhances, rather than detracts from, the power of miraculous objects. Creator An entity primarily responsible for making the resource Audrey Flack American, b. 1931 Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/14656">Allen Memorial Art Museum</a>, <span>Fund for Contemporary Art</span> Date A point or period of time associated with an event in the lifecycle of the resource 1972 Contributor An entity responsible for making contributions to the resource Alexis Reed Format The file format, physical medium, or dimensions of the resource Color lithograph and gold leaf Image/Sheet: 33 1/16 × 23 11/16 in. (84 × 60.2 cm) Type The nature or genre of the resource Lithograph Rights Information about rights held in and over the resource Audrey Flack Identifier An unambiguous reference to the resource within a given context 1973.39 https://physiology.oberlincollegelibrary.org/files/original/2419027b79a8218ed62b5228749f17f1.jpg 1e5969230885407af714cbb1837cc4d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Madonna of the Pomegranate Description An account of the resource The picture's title is explained by the pomegranate in Mary's hand: this should be understood as symbolizing Christ's Passion, the wealth of seeds conveying the fullness of Christ's suffering. A comparison of this painting with Botticelli's earlier tondo Madonna del Magnificat reveals that the artist has now arranged the angels symmetrically, thereby avoiding the compositional difficulties of the older depiction. The Christ Child, whose hand is raised in blessing, is lying securely in the arms of Mary, but the sad, melancholy expression on the faces of mother and child are intended to remind the observer of the torments the Son of God will suffer in the future. The angels are worshipping Mary with lilies and garlands of roses. The Rosary is a prayer that was created in its present form in the 15th century, and rapidly became widespread. The beginning of this prayer is embroidered on the left angel s stola: AVE GRAZIA PLENA (Hail Mary, full of grace). Creator An entity primarily responsible for making the resource Botticelli, Sandro Italian, 1445-1510 Source A related resource from which the described resource is derived <a href="https://www.wga.hu/html_m/b/botticel/22/40pomegr.html">Web Gallery of Art</a> Date A point or period of time associated with an event in the lifecycle of the resource c. 1487 Contributor An entity responsible for making contributions to the resource Alexis Reed Format The file format, physical medium, or dimensions of the resource Tempera on panel diameter 143,5 cm Type The nature or genre of the resource Painting https://physiology.oberlincollegelibrary.org/files/original/d4877b1974a0c93a9da89cbe3219723b.mp3 9cfc6d88991f9adf290b4716da811e41 Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Monica Mamdouh Naguib Interviewee The person(s) being interviewed Malak Zaalouk Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio recording Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 33:44 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Malak Zaalouk Description An account of the resource Monica Mamdouh Naguib, a student at the American University of Cairo, interviewed Malak Zaalouk as part of school projects on well-being through oral history. Creator An entity primarily responsible for making the resource Monica Mamdouh Naguib Source A related resource from which the described resource is derived <a href="https://drive.google.com/file/d/1EkRuhQ2-FA_Dm_xn_hWNGJbkT3Ieb7QE/view">Google Drive</a> Date A point or period of time associated with an event in the lifecycle of the resource n.d.