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4 10 91 https://physiology.oberlincollegelibrary.org/files/original/434af434e3e97fecd46c6c4df9f77c8e.jpg 5cb0825861f43ddb67725e5a6448ce9d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St. Sebastian Tended by Irene Description An account of the resource This work-one of the most important Northern Baroque paintings in the United States-is a strikingly sensitive vision of physical suffering. The third-century Saint Sebastian, shot with arrows by his fellow guardsmen for having converted to Christianity, was tended by the Roman widow Irene and her maidservant; none of the arrows had pierced a vital organ and they were able to bring him back to health. Here, left for dead, with his now gray, bloodless arm tied by a leather strap to a tree, he slumps forward as the women, fully absorbed in their work, tenderly begin to nurse him. Saint Sebastian was invoked against the plague; one that struck Utrecht, Amsterdam, and Rotterdam in 1624 may have helped to occasion the present work. For the upright composition, Ter Brugghen was likely inspired by Caravaggio's Deposition, as well as by a lost work by his compatriot, Baburen. Ter Brugghen was the only one of the Utrecht Caravaggisti-Dutch artists from Utrecht active in Rome, influenced by the works of Italian artist Caravaggio- to live in Rome in the early years of the seventeenth century, during Caravaggio's activity there. In Oberlin's work, the three figures are tightly massed in a monumental pyramidal composition whose strong diagonals, shallow space, and scale heighten its emotive power. The richness of the painting's cool chiaroscuro-the play of light and shadow over its three figures-is contrasted with the orange glow of the setting sun over the distant, desolate landscape in the background, over which black birds fly. Pierre Rosenberg, former director of the Louvre, published the painting in 2006 in his book Only in America: One Hundred Paintings in American Museums Unmatched in European Collections. Having conducted a survey of curators and art historians, Oberlin's painting was found to be cited more often than any other as meeting that extremely high standard-and, as a result, it is the book's front cover image. The AMAM owes its purchase to the connoisseurship of the museum's former director Charles Parkhurst, who first saw the work at a dealer in New York in the spring of 1953. After discussion with Oberlin art professor Wolfgang Stechow, he agreed to move forward on the purchase. The dealer was then in touch with Samuel Kress, for whom it had been reserved, to gain his approval. The painting might equally have gone when it was earlier in the hands of another dealer to the Rijksmuseum in Amsterdam or to the museum in Utrecht. The Rijksmuseum, however, did not have available dollar funds while the Utrecht museum did not act quickly enough, due in part to a misdirected letter. Ter Brugghen first studied with the artist Abraham Bloemaert before leaving the Netherlands for Italy. Upon his return to Utrecht he painted both religious and genre subjects, such as flute and lute players, and allegories, and was praised above all other Utrecht artists by the great painter Rubens on the latter's trip to that city in 1627. Creator An entity primarily responsible for making the resource Hendrick ter Brugghen Dutch, ca. 1588–1629 Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/9232">Allen Memorial Art Museum</a>, R. T. Miller Jr. Fund Date A point or period of time associated with an event in the lifecycle of the resource 1625 Contributor An entity responsible for making contributions to the resource Alexis Reed Format The file format, physical medium, or dimensions of the resource Oil on canvas Overall: 58 11/16 × 47 in. (149.1 × 119.4 cm) Frame: 66 7/16 × 54 11/16 × 3 13/16 in. (168.8 × 138.9 × 9.7 cm) Type The nature or genre of the resource Painting Identifier An unambiguous reference to the resource within a given context 1953.256 https://physiology.oberlincollegelibrary.org/files/original/fbdc23663fe7e11ee144c6ee60a03e38.jpg d1a5f4aa38b7cc14b8699fe383586ebe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yoke Description An account of the resource Hung Liu was born in Changchun, China, in 1948. Her father, a former Nationalist Army officer, was imprisoned by the Chinese Communist government in 1949, leaving Hung to be raised by her mother and several aunts in Beijing. As a teenager during the Cultural Revolution, Hung was sent by the government to live and work in a rural village for several years. After returning to Beijing, she attended the Beijing Teachers College and the Central Academy of Fine Arts, where she studied Socialist Realist painting. Hung emigrated to the United States in 1984 and earned an MFA from the University of California at San Diego in 1986. She is currently a professor of art at Mills College in Oakland, California. Hung is best known for creating paintings based on photographs. Some of the photographs she uses are historical images of life in late nineteenth- and early twentieth-century China; others are more recent images relating to Hung's own life since her move to the United States. Many of her paintings raise issues about the historical and contemporary status of women, children, and other traditionally underprivileged social groups. The paintings also frequently address much broader questions involving the history of colonialism, emigration, and the nature of transnational cultural identity. Hung paints in an evocative, expressionistic style, building up her images with thin layers of paint that emphasize her creative process and the differences in meaning between her works and the photographs on which they are based. Yoke was inspired by a historical photograph of a Tibetan criminal wearing a cangue, a type of heavy, wooden collar that was used as a punishment in traditional China. The dimensions and weight of the cangue were such that the wearer typically could not stand upright or reach around the collar to feed himself. Instead, he was forced to lie on the ground and depend on the kindness of passersby for food and drink. It was a cruel form of punishment that begs larger questions about the nature of justice and the power of governments to oppress their own people. The fact that the person in this image is a Tibetan who is being punished by the Chinese also concentrates our attention more specifically on the long and troubled history of relations between those two peoples. Creator An entity primarily responsible for making the resource Hung Liu American, born in China, 1948 Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/4695">Allen Memorial Art Museum</a>, <span>Gift of the Estate of Esther S. Weissman</span> Date A point or period of time associated with an event in the lifecycle of the resource 1997 Contributor An entity responsible for making contributions to the resource Alexis Reed Format The file format, physical medium, or dimensions of the resource Oil on canvas Overall: 80 × 80 in. (203.2 × 203.2 cm) Type The nature or genre of the resource Painting Rights Information about rights held in and over the resource Hung Liu Identifier An unambiguous reference to the resource within a given context 2006.23 https://physiology.oberlincollegelibrary.org/files/original/6270a78a10720cf05643f7d0e49b0049.pdf ff241ec8a7f9891c743d40c989e07ad3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alternative Possibilities, Personal Autonomy, and Moral Responsibility Creator An entity primarily responsible for making the resource Ishtiyaque Haji Source A related resource from which the described resource is derived Personal Autonomy: New Essays on Personal Autonomy and its Role in Contemporary Moral Philosophy Publisher An entity responsible for making the resource available <a href="https://www.cambridge.org/core/books/personal-autonomy/alternative-possibilities-personal-autonomy-and-moral-responsibility/6ACC2458DC5B64BC04390EAFEF65822B">Cambridge University Press</a> Date A point or period of time associated with an event in the lifecycle of the resource 2009 Type The nature or genre of the resource Essay Identifier An unambiguous reference to the resource within a given context https://doi.org/10.1017/CBO9780511614194.011 Description An account of the resource The Principle of Alternative Possibilities (PAP) and how it relates to aspects of well-being. https://physiology.oberlincollegelibrary.org/files/original/b340a3376274044ab7b710924e7f105d.m4a dd9e045103bb4d973e2e2fa2eea9a9f8 Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Nour Tobgy Interviewee The person(s) being interviewed Salem Tobgy Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio recording Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 11:30 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Salem Tobgy Creator An entity primarily responsible for making the resource Jack Lesniak Date A point or period of time associated with an event in the lifecycle of the resource n.d. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Zach Taylor Interviewee The person(s) being interviewed Kathleen Carothers Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio recording Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 31:10 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kathleen Carothers Creator An entity primarily responsible for making the resource Jack Lesniak Source A related resource from which the described resource is derived <br /><iframe style="width: 100%; height: 1000px;" src="http://oberlincollegelibrary.org/ohms-viewer/viewer.php?cachefile=Oberlin_College_TA04.xml"></iframe> Date A point or period of time associated with an event in the lifecycle of the resource 2019 https://physiology.oberlincollegelibrary.org/files/original/028985fbd29e502693b1a14cc48cdb93.jpg ebdac4e1cde54f42fd263e570c2705a2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Saint James the Mutilated" from <em>The Golden Legend: Selections</em> Description An account of the resource A selection from <em>The Golden Legend: Selections</em> Creator An entity primarily responsible for making the resource Jacobus de Voragine Source A related resource from which the described resource is derived <a href="https://www.nationalgallery.co.uk/products/the-golden-legend-selections/p_1014605">The National Gallery&nbsp;</a> Date A point or period of time associated with an event in the lifecycle of the resource Published 1998 Original work published ca. 1229-1298 Format The file format, physical medium, or dimensions of the resource Text Type The nature or genre of the resource Book Publisher An entity responsible for making the resource available Penguin Classics Rights Information about rights held in and over the resource Penguin Classics Language A language of the resource English, translated by Christopher Stace Identifier An unambiguous reference to the resource within a given context ISBN: 9780140446487 https://physiology.oberlincollegelibrary.org/files/original/d1bffddb528ac0f28ad1417613363306.jpg 6a8ffd5ab97f6b7b092d761ea90af459 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother and Child, No. 1 Creator An entity primarily responsible for making the resource James Abbott McNeill Whistler (American, 1834–1903) Source A related resource from which the described resource is derived <div style="text-align: left;"><a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/7235">Allen Memorial Art Museum</a>, Gift of M. Knoedler &amp; Co.</div> Date A point or period of time associated with an event in the lifecycle of the resource 1895 Format The file format, physical medium, or dimensions of the resource Lithograph Overall: 16 1/4 × 10 11/16 in. (41.3 × 27.2 cm) Identifier An unambiguous reference to the resource within a given context 1953.211 https://physiology.oberlincollegelibrary.org/files/original/efa4bcdade90459a78321c41f2e385a1.jpg deaad895ff64a91779684edc701dfc50 https://physiology.oberlincollegelibrary.org/files/original/235191b39b82e51df0df82053b0bc913.jpg 2229f7868baa2b45b4b59a139876ed50 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SueZie, 51, and Cheryl, 55, Valrico, FL, 2015, from the portfolio To Survive on this Shore: Photographs and Interviews with Transgender and Gender Nonconforming Older Adults Creator An entity primarily responsible for making the resource Jess T. Dugan American, b. 1986 Vanessa Fabbre American, b. 1978 Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/38781">Allen Memorial Art Museum</a> Date A point or period of time associated with an event in the lifecycle of the resource 2018 Format The file format, physical medium, or dimensions of the resource Archival pigment print with text (interview) Image: 18 × 13 1/2 in. (45.7 × 34.3 cm) Sheet: 20 × 16 in. (50.8 × 40.6 cm) Type The nature or genre of the resource Print and Text Subject The topic of the resource Transgender and Gender Nonconforming Older Adults https://physiology.oberlincollegelibrary.org/files/original/0e651192b1fd204ba2fd34a828bdd692.JPG 0de84ddc70c7b93c8ec27e1deb1bcdc2 https://physiology.oberlincollegelibrary.org/files/original/222a939cb31c8304d8ed6a1e8e2cf516.png c42a741d975216fe62866fa560da7936 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bobbi, 83, Detroit, MI, 2014, from the portfolio To Survive on this Shore: Photographs and Interviews with Transgender and Gender Nonconforming Older Adults Creator An entity primarily responsible for making the resource Jess T. Dugan American, b. 1986 Vanessa Fabbre American, b. 1978 Source A related resource from which the described resource is derived <a href="http://allenartcollection.oberlin.edu/emuseum/view/objects/asitem/id/38783">Allen Memorial Art Musem</a> Date A point or period of time associated with an event in the lifecycle of the resource 2018 Format The file format, physical medium, or dimensions of the resource Archival pigment print with text (interview) Image: 18 × 13 1/2 in. (45.7 × 34.3 cm) Sheet: 20 × 16 in. (50.8 × 40.6 cm) Type The nature or genre of the resource Print and Text https://physiology.oberlincollegelibrary.org/files/original/5f865e1a3d3b12d600149d76e3fc7338.JPG bf87d32b5b9dd4156ac383958e6b7d34 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Archival pigment print with text (interview) Physical Dimensions The actual physical size of the original image Image: 18 × 13 1/2 in. (457 × 343 mm) Sheet: 20 × 16 in. (508 × 406 mm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SueZie, 51, and Cheryl, 55, Valrico, FL, 2015, from the portfolio To Survive on this Shore: Photographs and Interviews with Transgender and Gender Nonconforming Older Adults // DOUBLE WITH ITEM #83 Subject The topic of the resource Transgender and Gender Nonconforming Older Adults Creator An entity primarily responsible for making the resource Jess T. Dugan and Vanessa Fabbre Source A related resource from which the described resource is derived Allen Memorial Art Museum Date A point or period of time associated with an event in the lifecycle of the resource 2018 Format The file format, physical medium, or dimensions of the resource Archival pigment print with text (interview) Description An account of the resource Photograph and interview with SueZie, 51, and Cheryl, 55, Valrico, a transgender woman who transitioned later in life, and her wife.